![]() Immigration from the east and midwest, rapid urbanization, and the expanding entertainment and tourism industries brought an influx of artistic talent. In California this regionalism naturally included the influence of Mexican artists, particularly the muralists Diego Rivera (1886-1957) in San Francisco and José Clemente Orozco (1883-1949) and David Alfaro Siqueiros (1896-1974) in Los Angeles, whose works combined social concerns with popular appeal, stylized design, and technical innovations.Ĭalifornia in the late 1920's was a region in ferment. Instead, American artists searched for an indigenous American art, based on regional themes, scenes and issues. These trends merged with a strong reaction against European art and art history cubism seemed arid, and impressionism had become academic and decorative. With the Great Depression came a heightened concern with social themes and then, under the oppressive weight of hard times and the growing popularity of film and animation, an interest in art as a recreation and celebration. It's an ironic testament to their popularity and originality that many of these works look hackneyed today: this is because their innovations became so widely imitated. Cooper and artist Rex Brandt), they responded to a unique confluence of cultural and artistic trends, and produced watercolors that are remarkable for their freshness, spontaneity, and originality. ![]() ![]() Also known as the "California Group" (the title of a 1937 traveling exhibition organized by writer and lecturer Lawson P. California Scene Painters were a group of innovative and influential artists working in California during the 1930's.
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